My baseline for building guitars is starting with the 'superstrats' concept. Premium hardware and woods such as purpleheart and wenge are selected for each build. Deep contours, no front fret markers, and the use of string ferrules instead of plates enhance upper fret access.

Unlike mass-produced guitars that often use thick lacquer finishes, I prefer to preserve the natural feel of the wood while still providing adequate protection against moisture. Push-pull knobs enable coil-splitting and phase switching, giving players more tonal options that extend well beyond just heavy metal.

I use stainless steel frets for enhanced durability, and occasionally add unique touches such as glow inlays for distinctive visual appeal.